Freitag, 30. November 2012

Take 15: Mittwoch 5.12.2012

December Horror Story Part 1: Evil Dead & Co.

20h15, USA 1987

Sequel to The Evil Dead where Ash does not manage to escape the evil from the first movie. Retelling the story only leaves Ash and his girlfriend in the beginning for whatever reason. Ash must now survive another night in the cabin accompanied now by the Professor's daughter, a mechanic, an associate of the Professor, and the mechanic's girlfriend. But the thing in the darkness vows that they will be -- Dead By Dawn.

The legendary surreal masterpiece of strange comedy is the favorite movie of Alejandro Jodorowsky so what comment you need.









21h45, USA 1988 





This movie is insane! Shot in Michigan at the height of the direct-to-VHS horror boom in the late '80s, The Carrier snuck onto tape with a nondescript cover courtesy of Magnum but managed to astonish the luckly few adventurous souls who bothered to rent it out for an evening. In a small town called Sleepy Rock apparently stuck in some sort of alternate universe of the 1950s, young man Jake Spear (Fortescue) escapes an attack from a strange beast from the woods. Though he seems unharmed, Jake is horrified to discover that he has acquired a highly unusual contagion that contaminates any object he touches and dissolves anyone else who makes contact with it. Soon the entire town is in a panic, unaware that Jake is the source of their problem as these "red objects" (named become a source of terror that can only be exposed by using cats(!) as weapons to identify them. Clad in plastic and heavy cloth, the townspeople soon divide into two warring factions that threaten to destroy the entire community forever.

Considering the era of its release, you don't have to look too hard to find an AIDS allegory here; the weird plot turn that covers almost everyone in trash bags for the duration of the films only lacks a glove-wearing dental hygienist to drive the full message home here. It's definitely unique though, and one-shot direct Nathan J. White certainly knows how to generate a resonant moment or two out of daylight horrors. No one in the main cast went on to much else, but Forescue makes for an engaging, sympathetic lead; more interestingly, as this was shot around the same stomping grounds from The Evil Dead, it features some of the same names behind the camera including composer Joseph LoDuca, cinematographer Peter Deming, and even some funky sound work from Bruce Campbell! 


Give this one a shot; it might become your next favorite unsung treasure, and it's certainly like nothing else you've ever seen before.
















Freitag, 16. November 2012

take 14: 21.11.2012

Phoenix

Kino Anders is back

Your advanced movie experience every wednesday.

 Now @ Offbar.


20h
Shorts out the garbage

One hour of strange shorts without taste. 
Featuring an all-monkey cast, an all dog-cast, a racist panda and some swiss John Waters fans.




 


South-Korea 2003, 120min, english subs
Oldeuboi (Oldboy)

An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su falls in love wit a young woman and soon finds out that his kidnapper has a greater plan for him.


Incredible beautiful and disturbing existentialist MASTERPIECE.
A movie like a poem.

 
Galgenbruders Lied
an Sophie, die Henkersmaid
Sophie, mein Henkersmädel,
komm, küsse mir den Schädel!
Zwar ist mein Mund -
ein schwarzer Schlund -
doch du bist gut und edel!

Sophie, mein Henkersmädel,
komm, streichle mir den Schädel!
Zwar ist mein Haupt
des Haars beraubt -
doch du bist gut und edel!

Sophie, mein Henkersmädel,
komm, schau mir in den Schädel!
Die Augen zwar,
sie fraß der Aar -
doch du bist gut und edel!
Christian Morgenstern
 



Won: Grand Prix of the Jury – Park Chan-wook
Won: Maria Award (Best Film)
Won: José Luis Guarner Award (Critics' Best Film)
Bergen International Film Festival 2004[24]
Won: Audience Award
British Independent Film Awards 2004[25]
Won: Best Foreign Independent Film
European Film Awards 2004[26]
Nominated: Screen International Award


And here some ignorant quotes from imdb:

The characters' motives and behaviors are incoherent and unconvincing. Psychological truth and logic are sadly missing. The plot is more full of holes than a gigantic piece of Swiss cheese.There is absolutely nothing that sets this movie apart from many other movies. No great achievements in acting, story, script, music, cinematography. Absolutely none. Yet it receives very high ratings. I really don't understand why. Believe me, nobody deserves what happens to our main character in the end, and I'm very serious; you know how some movies just go under your skin and stay there? Well, I felt goddamn dirty after watching this movie, and I REALLY wish I'd never seen it. It stayed with me for days, and some might ask: well, isn't that the purpose of a good movie? The ability to affect us in such ways? Yes, it can be, but this movie not only made me sick, it made me feel violated. More fun watching sticking your head in a toilet to watch the brown submarines.



Here's a good review:

After going through the comments, i must say i'm impressed how many people out there don't have a slightest clue of beauty or intelligent screenplays. there are so many comments from people that totally disliked the movie. which is plain and simple not possible, if you got an open mind and a open heart (and are not drunk). I would compare it to chocolate. You may find it too sweet and prefer bitter chocolate. or you like white chocolate more. Or you got diabetes and can only sometimes eat one. But people that totally dislike chocolate scare me to death. Same goes for Oldboy, you gotta admit some of the genius art-form it contains. Its everything in there. Its heartwarming , disgusting, intelligent, beautiful and lead with outstanding performance of any actor . You HAVE to like something, cause it wont get much better. Its chocolate. If you disliked the movie so much and on a constant basis, why even bother to write a comment? My guess is you just could not follow the movie at all. which is my only guess actually. well enough rambling.
If you call common sense, and a human heart your own and like "challenging" movies, go and see it NOW.


  

Sonntag, 7. Oktober 2012

DECODER CHIFFRE NO. ONE




20h

Shorts

21h15

Decoder (1984) – Legendärer Thriller mit W.S. Burroughs und den jungen Neubauten

Pop performer F.M. Einheit (Einsturzende Neubaüten) discovers that different sonic frequencies
induce different patterns of behaviour in listeners, first in his own studio, and later in the local
'H-Burger' restaurant, where the passive muzak appears to be wiping people's emotions...
The government headquarters responsible for this are represented by a huge 'fascist' building
full of winding spools.  Meanwhile, Bill Rice, the government official who works there,
goes on a journey of sexual discovery in the local red-light district...
Einheit, after several arguments with his girlfriend, played by former child prostitute
Christianne F.  and dream sequences
featuring William S. Burroughs, finds himself amongst underground rebels
led by Genesis P. Orridge (Psychic TV / Throbbing Gristle), who explains to FM how
the government have been 'controlling' the public through muzak.  



        
Soundtrack by Psychic TV, Dave Ball (Soft Cell/PTV), FM Einheit, The The,
William S. Burroughs, and Einsturzende Neubauten.

 



23h

Death Powder


Shigeru Izumiya's underground classic Desu Pawuda aka Death Powder (Japan, 1986) is definitely among the weirdest, most bizarre films ever made. It reminds of David Lynch's Eraserhead, Shinya Tsukamoto's Tetsuo and some other extremely memorable and unique exercises in cinematic magic and limits beyond imagination. Death Powder has very little to do with plot or story, and what's there is extremely hard to follow and seems not to make any sense. One character says at one point to another: "Try to pretend that you're understanding what it's all about. Like life itself, this makes no sense." That line really tells something what to expect from this low budget gem from Japan, the land of many great film makers.
There are three mercenaries/soldiers who go to some mysterious storehouse in which even more mysterious figure is lying on a bed without any mattress. Suddenly, the figure blows some dust/powder on one of the soldiers and then the nightmare begins. It soon turns out, that one of the soldiers (played by the director Izumiya himself) has already been "infected" by this powder and now the question is what will happen to these two hapless victims, the other being a female by the way. The newly "infected" mercenary starts to have severe hallucinations into some netherworld, a universe unknown to us and a place never depicted on film before, and soon it is revealed that the powder has still many more victims to "dust".
This masterpiece is highly recommended for all those interested in art, underground and hyper bizarre cinema experiences and it would be great if this had some official VHS/DVD release with English subs at some point which it never had.

 


Dienstag, 18. September 2012

take14: 19.9.2012

Small Town- Small Projection

Because of technical problems we will use a small beamer.

That's why we will have

 SPECIAL SMALL MOVIES NIGHT!!!

Doors open at 20h. After "Death Powder" we show a bunch of extreme Triphead Films. BEWARE!!!

20h30: Japan 1986, 1h, japanese with english fansubs:

 The ultimate cinematic acid trip to the limits!!!

Shigeru Izumiya's underground classic Desu Pawuda aka Death Powder (Japan, 1986) is definitely among the weirdest, most bizarre films I've ever seen. It reminds me of David Lynch's Eraserhead, Shinya Tsukamoto's Tetsuo and some other extremely memorable and unique exercises in cinematic magic and limits beyond imagination. Death Powder has very little to do with plot or story, and what's there is extremely hard to follow and seems not to make any sense. One character says at one point to another: "Try to pretend that you're understanding what it's all about. Like life itself, this makes no sense." That line really tells something what to expect from this low budget gem from Japan, the land of many great film makers.
There are three mercenaries/soldiers who go to some mysterious storehouse in which even more mysterious figure is lying on a bed without any mattress. Suddenly, the figure blows some dust/powder on one of the soldiers and then the nightmare begins. It soon turns out, that one of the soldiers (played by the director Izumiya himself) has already been "infected" by this powder and now the question is what will happen to these two hapless victims, the other being a female by the way. The newly "infected" mercenary starts to have severe hallucinations into some netherworld, a universe unknown to us and a place never depicted on film before, and soon it is revealed that the powder has still many more victims to "dust".

  At this point I want to say that the plot is extremely hard to follow and I had to watch the film twice in order to be able to write about it. The story and plot are not the things this film has to offer and thus the audience for this kind of film becomes even smaller. The film is also extremely slow moving and has many "dead" moments (the film runs mere 62 minutes, though) so don't watch this when you're tired since this film requires your full attention. These are not necessarily bad things if one can enjoy and appreciate this kind of different and very personal and independent cinema. If you thought Tetsuo was way too irritating and hard to understand in its madness, then forget Death Powder right now because this is perhaps even more bizarre experience.

The message is the same as in Tetsuo: The fear of technology and to what extents it will grow. The camera angles at the beginning where we are in the city among other people are very weird and twisted and they depict the same fears and menaces as Tetsuo does. "Only you can save the world from itself" says one voice during the nightmarish hallucination segments to one character. Besides these themes, Death Powder is one incredible exercise in low budget film making and ultra menacing and mind altering imagery to haunt the viewer days to come, and nights, in my case!

 


Death Powder is highly recommended for all those interested in underground and hyper bizarre cinema experiences and it would be great if this had some official VHS/DVD release with English subs at some point. 


Dienstag, 11. September 2012

take13: 12.9.2012

Police officers and their children!!!

Doors open 19h00

Shorts movies till

20h15, Poland 1978, 1h56, polish with english fansubs

The action of "Wsród nocnej ciszy" takes place before Second World War.A series of cold and brutal killings of small boys shocks the citizens of Polish town.The children are murdered with a gun and a black clad killer always leaves one trace on crime scene:a small toy with the picture of a cat on it.Police officer Teofil Herman begins to track an elusive killer..."Quiet Is the Night" is based on Ladislav Fuks novel "Sledztwo prowadzi radca Heumann" from 1971.The acting is excellent and the characters are well-developed.The relationship between father and son is truly believable and tragic.The climax is strikingly powerful and intense.If you are a fan of Italian gialli or Fritz Lang's "M" you can't miss this forgotten Polish classic.
 " Very powerful Polish giallo"
" This film is one of the greatest I have ever seen. Unfortunately, it has never been released in this country. I saw it at the Montreal film festival in 1979 and again in Montreal on a visit in the mid-eighties. (Please let's get the many great Eastern European films of the sixties and seventies made available to film lovers.)...The two lead actors are both excellent, and this is a story that is intense, interesting, thought provoking and accessible - Who can't relate to a family's communication problems."
 "strongly recommended"

22h30, France 1985, 90min, french with english fansubs

 A serial killer signs his crimes Billy-Ze-Kick (« Ze » being « the » as pronounced by someone with a French accent). The only trouble is that Billy-Ze-Kick is a character invented by a police inspector when he tells stories to his 12 years old daughter. Does she somehow direct the killer ?

Billy-Ze-Kick, from a novel by Jean Vautrin, is a one-of-a-kind movie, set in a slightly warped world and including seriously deranged characters. Even the sanest among them have enough idiosyncrasies not to belong is any standard crime movie. Thanks to a well-written script and great performances by the likes of Zabou, Francis Perrin or Michael Lonsdale, this is original, intriguing, provocative, clever, funny and, most of all, downright crazy. I put it under « hidden gem » because althought it has comedy elements, it’s not really a comedy, nor is it really a thriller, nor does it belong to any real genre that I can think of.

 A surrealist comedy musical with gore, nudity, a serial killer, a transsexual, a schizophrenic, a comic book hero, terrorism, a wedding, a lisping heroine and an old lady caught nicking a tin of sardines in a supermarket. In short: this is very very unusual. Do not miss the questioning of witnesses after the assassination! Very entertaining, but not to everyone's tastes.





Montag, 3. September 2012

take 12: 5.9.12

What genre? All of them!

Doors open 19h30.

19h30-20h15 Short movies

20h15, South Korea 2003, 116min., english subtitles

 A traumatized young man abducts Korean leaders, believing they're toxic reptilian aliens - a fifth column launching a takeover of beloved Earth. Stumped law enforcement geniuses half-seriously hire a disgraced, disheveled private detective with a long-ago history of super-crime solving. The alienated South Korean youngster Lee Byeong-gu builds an isolated basement command post/torture chamber/film studio to force the awful truth out of the slimy, uncooperative politicians and businesspeople, then alert the public. Byeong-gu is helped by his devoted girlfriend, who buys his theories, but wonders if his horrible childhood has colored his thinking.
Parts of Save the Green Planet are darkly comedic, but even these moments are laced with a grim, gritty, malevolent cruelty. The majority of the film is a thriller, as pitiful, insane Byeong-gu Lee (Ha-kyun Shin, Sympathy for Mr. Vengeance) kidnaps a rich executive named Man-shik Kang, believing him to be an alien from Andromeda. Kang faces cruel torture at the hands of his captor, who genuinely believes he is saving the planet. Meanwhile, several police detectives are searching desperately for the missing man.

Sometimes, you get a lot more than you bargained for in a film. Although I found Save the Green Planet disturbing and unsettling, I have to admit that it's a far more impressive film than I expected. It has one of the most powerful commentaries on human nature I have ever seen, mostly because it shows how quickly we dispense with humanity as soon as there is some greater cause. The violence at the end of this film would be cathartic in most other thrillers, but here it just feels heartbreaking: yet another unnecessary tragic death.       

 Save the Green Planet is also a film that shouldn't have worked. Thanks to a truly incredible cast and some razor-sharp and intense cinematography, director Jun-hwan Jeong jerks us viciously through a wide range of emotions. The film is a vicious roller coaster, eliciting wry laughs, cringes of pain and moments of thoughtful reflection. Although it's not always an enjoyable film, it had me in its clutches from the first minute.

Realistically, Save the Green Planet isn't for everyone. In fact, I can only really recommend it to adventurous viewers with strong stomachs who also like to think. It makes an interesting companion piece to Oldboy, though, if only for a similar outlook on human nature. This is a film that deserves to be watched and talked about, though, despite the lack of attention it has received.



22h15: France 1987, 87min., english subtitles

 

 
Quite an unusual film in French cinema. It deals with an unsuccessful theatre troop trying to revive the Grand Guignol. It's kind of a comedy with very desperate characters, adultery, voyeurism, sleazy situations, weird fantasy sequences and plenty of fun special effects. No masterpiece but definitely a strange object.